Make sure you save a little of the “joy of discovery” for the actual translation process by not reading your source text too closely before translating it.
The fear of writing a “bad” poem keeps me from writing at all. But I can’t write a “good” poem without writing any poem.
Redactions can be both silence and explanation. They function purely on my own terms and for my audience, my community.
We’re not writing for us as we are now, but us as we were, or could have been, or should have been.
A personal essay of the Steven Hotdog form needs the interior experience, the exterior fact, and the meaning that connects them—in order to work its magic.
As part of our Education Week series, Jaime Green describes how teaching the fundamentals in undergrad writing comp made her a better writer.
What happens to your writing project if you are unable to find a particular source? Adin Dobkin shares two options: either you carry on or decide the project is valueless without it.
To write her book ‘If You Leave Me,’ Crystal Hana Kim used research to be true to Korea, down to its roots.
Actors studied movement, script analysis, emotional connection, our bodies, our voices. In my writing MFA, we got . . . workshop.